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・ Jacques Ploncard d'Assac
・ Jacques Poirier
・ Jacques Poitrenaud
・ Jacques Polge
・ Jacques Pollet
・ Jacques Poos
・ Jacques Potgieter
・ Jacques Pottier
・ Jacques Poulin
・ Jacques Pousaz
・ Jacques Pradon
・ Jacques Pras
・ Jacques Presser
・ Jacques Prevel
・ Jacques Prost
Jacques Prou
・ Jacques Prévert
・ Jacques Pucheran
・ Jacques Pugin
・ Jacques Puisais
・ Jacques Pâris de Bollardière
・ Jacques Pélissard
・ Jacques Pépin
・ Jacques Quétif
・ Jacques Rabelais
・ Jacques Rabemananjara
・ Jacques Rancière
・ Jacques Range
・ Jacques Raudot
・ Jacques Raverat


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Jacques Prou : ウィキペディア英語版
Jacques Prou

Jacques Prou (1655–1706) was a French Academic Baroque sculptor, a product of the Academy system overseen by Charles Le Brun. Trained in the Academy school in Paris,.〔He was the son of Jacques Prou or Proust, Parisian ''menuisier'' or wood-worker. (Seymour 1952:290, note 22). His Mother was Marie Enguerrand, his aunt Perrine Prou married Mathieu de Lespagnandelle (E.Clause)〕 he spent four years (1676–80) refining his style at the French Academy in Rome, then returned to Paris to become a member of the team of the ''Bâtiments du Roi'' from 1681, providing sculpture for Versailles in the atelier of Jean-Baptiste Tuby, whose daughter he married. He was received as a full member of the Académie royale de peinture et de sculpture in 1682, presenting as his reception piece a bas-relief of ''Sculpture consulting Painting over the portrait of Louis XIV'', now at the Musée du Louvre, which reveals his concern for surface textures adapted from the dominant art, painting〔(Seymour 1952:290-91). Prou was later made an assistant professor, 1701, and full professor at the Academy in 1704.〕 At Versailles he became closely associated in projects for fountains and emblemmatic decorative sculpture with Antoine Coysevox, notably in the ''Escalier des princes'', the ''salon'' opening onto it, and the ''Salon de la Guerre''.〔Jules Guiffrey, ''Comptes des Bâtiments du Roi'', ii-iv, noted by Seymour 1952:22.〕
For Versailles he carved a vase on the theme ''The Infant Mars'', following a design from the office of Jules Hardouin-Mansart.〔Known through an engraving by Thomassin.〕 His work for Marly, 1683–84 and 1705, has disappeared.
His marble memorial portrait bust of the recently deceased Philippe de France, duc d'Orléans, only brother of Louis XIV, was exhibited at the Paris salon of 1704.〔The bust was identified in the National Gallery of Art, Washington DC, by Charles Seymour Jr, "A Group of royal portrait-busts from the reign of Louis XIV" ''The Art Bulletin'' 34.4 (December 1952, pp. 285-296) p 289ff.〕
==Notes==


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